The Anjunadeep Edition 330 with M.O.S.
Sometimes the most intriguing mixes are the ones where an artist gets to play with their own toys, and M.O.S.'s earlier Anjunadeep Edition 330 is a fascinating time capsule of his melodic house evolution. Here, we hear the building blocks of his sound—those distinctive, yearning synth leads and robust basslines—alongside a few wonderfully oddball edits that reveal a playful side. The vibe is introspective yet curious, like flipping through a producer's sketchbook where fully-formed tracks sit beside daring experiments. The energy leans heavily into the low-end (66%), giving the mix a grounded, pulsing feel even when the melodies aim for the stars, with mids (31%) carrying the harmonic weight in a very cohesive, likely 8B or 12A-centric key range.
This is a mix built on flow and personal expression, where transitions serve the narrative of M.O.S.'s own musical world. The tracklist is dominated by his white-label material, making it a goldmine for fans: the now-signature 'Imotski' opens proceedings, while 'Pur Pur' and 'Mermaid Dance' showcase his knack for melancholic, driving beauty. The intrigue spikes with the inclusion of a mysterious ID remix of Above & Beyond's 'Prelude', teasing a potentially massive rework, and the collaboration with Christian Burns, 'Now Or Never', hints at a more song-based direction. The true curveball, and glorious closing act, is his edit of Cliff Richard's 'Somewhere Over The Rainbow', a move so brazenly sentimental it circles back to being profoundly cool.
It’s the kind of deep-cut selection that makes you grin at its audacity. The journey from the confident groove of 'Imotski', through the heartfelt original productions, to that utterly unexpected, lushly reimagined standard, is a reminder that personality is the best genre of all.